Wednesday, December 11, 2013

What Doctor Who Taught Me About Writing

A few weeks ago, I saw the Doctor Who 50th Anniversary show. Twice, actually. Once on television and then again with my daughter at the movies. I enjoyed both viewings, but after the second, I began thinking about how the movie worked. Especially in its use of foreshadowing.

Foreshadowing is when the writer gives the reader (or viewer) some sort of clue or hint about something that will occur later in the story. There are many reasons to foreshadow, one of which is to deepen the story, but foreshadowing can also be an important tool for the writer. It allows the writer to deliver necessary information to the reader without revealing the importance of that information too soon in the story.


 *********WARNING—DOCTOR WHO SPOILER ALERT**********


For example, about halfway through the Doctor Who movie, when the Doctors needed to escape the Tower of London—yes, I said Doctors. The eleventh and tenth Doctors were both in the show, along with the “war” Doctor from 400 years in the past. (Hey come on, they’re Timelords.  They're allowed to do that kind of stuff.) Anyway, when they needed to escape from the Tower, they came up with a plan to program a horrendously complicated subroutine into the war doctor’s sonic screwdriver so that 400 years later, the current doctor’s sonic screwdriver would have the completed calculations for their escape. Turns out they never got around to using those calculations, since Clara showed up to rescue them at that point, but no matter—the scene had already served its real purpose. The idea of using sonic screwdrivers in this way had been planted into our minds, so when the same technique was used to solve the big problem later during the final climatic scene, no time was wasted having to explain the concept, so the scene moved along quickly.

 The use of foreshadowing to prepare the reader for solutions the MC will use later on is common. In Harry Potter and the Prisoner of Azkaban, for example, Rowling needed a time traveling device to solve a story problem she’d created, so she invented a pendant capable of carrying Harry back in time. Of course, having this item suddenly appear right when Harry needed it would have seemed contrived, so Rowling introduced the pendant to us early and gave it its own subplot. Then when Harry needed the pendant to solve the big problem at the end, its presence seemed perfectly natural. 


*******WARNING—ANOTHER DOCTOR WHO SPOILER ALERT******* 


In the Doctor Who movie, a similar technique was used when the Doctor was shown (at the beginning of the movie) a special 3D painting described as Timelord art. Turns out that painting (and the concept behind its technology) was necessary to solve two big problems later on in the story, but for the audience to accept its use as a legitimate solution, we needed to be introduced to the concept of Timelord art early on. And simply sticking the painting into the same room as the Doctor wasn’t enough. There had to be a reason for its existence or the viewers would have been suspicious. So the writers came up with a subplot for the painting (which I won’t go into here), giving a valid reason for its existence and preparing us for its use in the final scene. And everything was done so smoothly, it never occurred to me that the painting had been a plant from the start—a fact I was able to appreciate during my second viewing.

If writing has done anything for me, it’s made me better at spotting foreshadowing during movies. Much to the annoyance of my wife.

What about you? Do you spot foreshadowing in movies more easily these days?


Friday, December 6, 2013

Friday Links -- Volume 12

We're approaching the end of the year, and to be honest, it can't come quickly enough.  Why? Because it means I'll have more time for writing.  :)

The night class I teach will be finished in about a week and a half, and as of two days ago, I'm officially done with my daughter's FTC robotics competition.  The actual competition isn't until tomorrow, but there's been too much politicking and backstabbing going on within the team for my taste, so my daughter and I have decided we've had enough and have pulled out of the team.  Hopefully her joy of working on robots will return with time.

I also have a special link for you today.  The Insecure Writers Support Group now has a website and everyone should go on over there and check it out.  There's even a contest that will last until the 16th of December, so be sure to sign up.  I'm starting a rumor that the founder of IWSG, Alex Cavanaugh, will embarrass himself publicly as one of the prizes.  :)

Here are today's links.  And as always, have a great weekend!

ChemistKen

Getting to the Core of Character Motivation

When Bad Things Happen to Good Books

The Red Roadmaster

Most Common Writing Mistakes: Weak Character Voice




Thursday, December 5, 2013

Dream Destination BlogHop - Day 1



Today is the first day of the Dream Destination Bloghop hosted by Lexa Cain and Julie Flanders. And as part of that bloghop, I get to tell you my dream destination.

Britain. Anywhere in the country, really, but I'd love to visit Cumbria.  I'd prefer a location near one (or more) of these:


Castle Bodiam - Courtesy Misterzee

Castles are the coolest things. Can't get enough of them. I’ve been to several in Britain and would love to see more. Perhaps one day.

Anyway, be sure to visit either Lexa Cain or Julie Flanders between December 5th-8th and enter the rafflecopter. Lots of prizes!

Wednesday, December 4, 2013

The Insecure Writer and Being a Slow Writer



Today is December's contribution to Alex Cavanaugh's Insecure Writers Support Group.


Why am I an Insecure Writer this month?

Because slow writers like me are fighting an uphill battle.

I’ve posted before about being a slow writer, and when that slowness is coupled with a busy schedule, progress on my WIP often drops to a snail’s pace. And this year has been particularly vexing in that regard. (The details will be the topic of a future post.)  Nevertheless, I've come to accept being a slow writer.  It's who I am. Of course, I still fantasize that one day I’ll be a fast writer, but I’m not holding my breath.

But in these heady days of publishing—especially self-publishing—everything I read suggests an author needs to be prolific to be successful. Book promotions, for instance, are often a waste of time unless the author has several books available for purchase. Several books? Yikes! At the rate I’m going, I’ll be retired before I finish three books.

 Hmmm. The time I’m spending on this post is already making me antsy. I think perhaps I should wrap up this post and get back to my story.

What about you guys? Does not having a lot of published books worry you? Do you feel pressured to finish books as quickly as you can?

Friday, November 15, 2013

Friday Links -- Volume Ten

So how's Nano going for everybody? We're now halfway through the month, so everyone should be over 25,000 words by now, right? I wish all of you NaNo participants good luck. I'm still mucking about with the so-called story I did last November, so I declined to enter. It’s nice being able to get some sleep during November.

Yesterday, I was privileged to be the recipient of many good soakings, thanks to Soak-a-Bloke day (hosted by Christina Rains). It's part of the Realms Faire, details of which can be found over at M. Pax’s blog.

In other news, Janice Hardy is offering a three chapter critique over at the Crits For Water Auction.

Okay, on to the Friday Links.  Have a great weekend!

Why I Choose a Digital Publisher Instead of Self-Publishing

9 Ways To Undermine Your Characters’ Best Laid Plans

Common Problems With Beginnings

Advice I Wish I’d Been Given When I Started … Part 3

Twitter: Are You Taking the Lazy Way Out?



Thursday, November 14, 2013

How Have Your Book Buying Habits Changed?

Has the way you make book buying decisions changed in the past few years? It certainly has for me. And I don’t mean the fact that I can buy e-books for less money than print books. I’m taking about how I've had to change the way I make my book buying decisions.

Back before Amazon came along, I would walk into a bookstore, head directly to the shelves holding my desired genre (usually fantasy), and peruse the books. I’d check out titles and authors, and if I was intrigued, I’d read the back cover copy to see if the premise was interesting.  If so, I’d open the book.

Somewhere roughly in the middle.

You see, I’d learned at any early age that the opening chapter of a book was usually a poor way of judging a book. Back then, most books started slowly, with the MC doing something rather mundane, like thinking about the weather or something similarly uninspiring, and it would be a while before the story got around to anything interesting. There might be a prologue, or lots of backstory (which I don’t mind all that much myself, as long as it’s entertaining), but those things didn't give the reader a good handle on how the author was going to tell the story, which is what I wanted to know before I bought a book.

So I’d open the book somewhere in the middle and look for things like the percentage of dialogue. Too little and it might be a tough read, but too much and it might be a sign of a weak plot. Did the author spend too much time harping on the character’s feelings or did he/she get on with the story? Was the prose too purple for my tastes?

Now everything has changed. I don’t have as much time to visit bookstores these days, despite the warm  fuzzy feeling I get whenever I’m inside one, so I spend much of my book searching time on Amazon. And Amazon’s previewer only allows me to see the beginning chapters, which means I’m often forced to make a buying decision based on the part of the book that happens long before the story-worthy problem (as Larry Brooks puts it) is revealed. How much different will the writing be once the story gets going? Did the author spend all their energy on that first chapter and leave a sagging middle? The whole process leaves me feeling rather anxious. I will admit, though, that the lower price of e-books does help mitigate the risk of choosing wrongly.

This new paradigm has also changed how I write. When I first began writing fiction, I never paid much attention to those people who said that your first chapter is the most important chapter. I grew up in a time when first chapters weren't all that exciting. But now, with the Amazon previewer, I’ll agree that the first chapter is pretty darn important. Not only does it have to demonstrate your writing style, but it also has to convince the reader that your character is worth following for the next twenty chapters and that the excitement is only just beginning. A rather tall order.

 So how has the Amazon previewer changed the way you buy books?